Abandoned

Coney Island

Coney Island speaks for herself. I was surprised to experience difficulty capturing the spirit of this area – I thought it would be a piece of cake. The color, the people, the sheer beauty of individualism on the boardwalk. But the color was too bright shiny new, and didn’t resemble the Coney Island of my memories. The boardwalk was a little empty – though it was a beautiful spring day – and as for the wild, eclectic crowd? Come back on the weekend.

Some of the icons of the famous boardwalk still exist, albeit despite the overhauling of the neighborhood in recent years by certain “developers”. Watch the following documentary on how Coney Island has been dismantled and cobbled back together again, leaving residents and long-time workers out in the cold:

Zipper     http://watch.thirteen.org/video/2365210004/

I walked the boardwalk, ventured a few blocks inland to the concessions, walked the pier, still I didn’t feel I could really capture or even put my finger on the essence of this place. Like many of the neighborhoods I’ve been shooting Coney Island is in transition. But something has stalled. It’s trying to hang on to its heritage after being gutted from the inside out. What remains leaves room for regrowth, but how?  Astroland cannot be regenerated. Displaced residents can’t come back. But there is a strong undercurrent of Coney Island’s unique identity, perhaps just lying low a bit until the development wave washes over it.

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Jacob Riis Park

First, I was surprised to discover that this park is in Queens, not Brooklyn. Standing on the beach at Dead Horse Bay, you can look past the span of the Marine Parkway – Gil Hodges Memorial Bridge toward the Rockaways. On the other side of the buildings of the north shore of that spit of land lies the beach, its art deco bath house and numerous other buildings and landmarks – remnants of another Robert Moses project. This beach development was meant to attract lower income families early in the twentieth century. Moses chose this site because it was accessible by bus. Today, the beach looks deserted. Yes, it’s winter. But there’s a general atmosphere of disrepair along the boardwalk. There are no orange fences holding back the encroaching sand, which buries the steps from the beach to the boardwalk. Small buildings are in ruin; handball courts overgrown with weeds and beach grass. Still, there’s something alluring about this place. The buildings were designed to mean something. Attractions – tennis and basketball courts, mini golf – span the roadway running parallel to the boardwalk. It’s a good destination and I look forward to traveling there in season.

Fort Tilden

Fort Tilden lies just beyond Jacob Riis Park. It was an artillery base spanning the years between the start of our involvement in the first world war and the late 1970’s. At one time it was home to a nike missile base. At present time, the fort consists of a number of buildings that are in use by artist groups. There is a theater, an art gallery, a children’s art space and a community garden. Kind of nice to see this peaceful overhaul of a remnant of the cold war.

Close to the beach lie a number of abandoned buildings covered in graffiti. As a lover of street art, I see this as an extension of the more formal endeavors at the main site of the fort. I was able to photograph the interiors of most of the buildings before a park ranger shooed me away. Apparently the public is welcome to roam the area as long as we don’t enter the buildings – but this isn’t specified on any signage.

Dead Horse Bay Revisit

Mia and I returned to Dead Horse Bay. She got busy working on a mandala – gathering beach glass, shells, metal objects and sorting them by color. She then used an old piling to create

a compass, and drew a large circle, then a spiral, in the sand. The collected objects went into the piece and it was a pleasure to watch her creative process unfold. I constructed some small weavings in the woods near the site, but I was mostly captivated by the place that day. The tide was going out quickly and, with each passing few minutes, more discards were revealed at the tide line. I walked south to discover some metal structures and other ruins along the beach. I photographed everything, and still can’t get enough of the tarnished magic of this place.

Dead Horse Bay

Mia, Nelly and I traveled to Dead Horse Bay in Brooklyn on November 8th to create an installation reflecting our responses to the site.  Dead Horse Bay is a former landfill located across Flatbush Avenue from Floyd Bennett Field. I documented our installation at this unique New York City site. This tree has been a long-time ongoing art project and we were surprised to find it empty – stripped of the bottles and artifacts we’d seen hanging from the tree in the past. After Sandy the installation was damaged, but still visible, and it had been restored since the hurricane. It was curious to see that something or someone had removed the pieces, leaving the branches bare. We decided this would be the perfect place to create our weaving pieces. We used materials brought to the site and some materials found at the site. We also brought home some artifacts, completing the cycle of engaging with the environment.

You can read more about the history of DHB here:

http://www.atlasobscura.com/places/dead-horse-bay